How to Make Eyeshadow More Pigmented—7 Ideas to Help
Jan 11, · How to Make Eyeshadow More Pigmented—7 Ideas to Help 1. Wear a Primer. Anyone who’s read my “ is primer worth it ” post will know that primer is always the first thing I’d 2. Use a White Base. If you’re more of a base fan than a primer fan (check out this article to learn the difference), 3. 1. Prime your eye area using concealer. Concealer isn't just for brightening up your under eyes and covering breakouts. "Prepping the eye with a concealer that's about two shades lighter than your actual shade will definitely make the shadow more pigmented and pop a lot more," says makeup artist Lauren Berlingeri.
Beauty trends — what even are they? Remember squiggle brows? Everyone allegedly hated them, but they were all over my timeline for at least a month so what is the truth? And say what you want about them, but shoutout to squiggle brows because honestly, those things are not easy and if you can pull them off then you deserve all the likes you can get.
Anyway, an actual pigmentted that I've been seeing more and more of in beauty right now involves not setting your eye shadow primer before you apply shadow. This trend, or technique trendnique? That eye is so blended it makes me dizzy. Yeah, we see big eye looks all over Instagram every day, but there's something different about that one. Check out how the purple is blended out with an orange, which is then blended out with the yellow — and the precision.
They all move right into each other without taking up that much space. Each color is perfectly blended but also very noticeable on its own. The secret, or so everyone is saying, is blending your eye shadow right on top of a tacky eye primer. If this makes no sense to you, then let me break it down. When you prime your eyes with an kore shadow primer, many people like to set the primer with a matte eye shadow that's close to their skin tone. Putting an eye shadow down onto a wet base is going to make the shadow cling and stay right where you put it, making it difficult to blend out — after all, a primer's job is to keep the shadow in place.
Once that shadow dries, it then makes it easier to blend any other shadows you layer on top. But what if — what if — you could still make your shadows work on pigmentec wet base? That's what I wanted to find out. I'm a big proponent of setting your shadow. I have a specific shadow I use as well as a specific brush for this step alone.
But I also love a big, bright eye, and what if a tacky primer would help me achieve this? What if it could help me make my eyes even brighter? After all, I am an investigative journalist, so I decided to find out. Here are my lil bitty eyes before all of this. This look makes them look gigantic so I thought I'd hit you with a "before. The primer that all Mitchell uses for the base of his eyes is the P. Louis Baseanother hot item how to make eyeshadow more pigmented burning up the beauty community lately.
It's a very dense, full-coverage eye shadow base that rivals pigmentted your thickest concealer. I couldn't get my hands on the base in time, so I just used the thickest concealer I have at my disposal: Tarte Shape Tape. I brushed it onto and all over my lid with a concealer brush and then pressed it in with a damp Beautyblender for even coverage. A better artist than I might have used any ol' brushes, but to start, I wanted to use makeup brushes that I know are good for tougher blending jobs.
I reached for the Sigma E37 and the slightly smaller version, the Sigma E They're perfect brushes to blend whatever you're working on, but ideal to blend denser cream products because the short, dome-shaped bristles can work thick products around without brushing through them, leaving holes, or blending the product away. Okay so, I started with what we ma,e consider the hero color of this look, the color that every other shade will blend into.
I used a hot, hot pink. This one is Sandbar by ColourPop. To apply the shades onto a wet primer, I used packing motions to really press the color into the base. In back-and-forth motions from my outer to inner corners, I just pressed, pressed, pressed the color in, until I got it to a shape I could mwke with. This shade is basically pure pigment, so it was an ideal base for this look and didn't take much work to place.
I ended with an abstract idea of my crease. Now, because I have hooded lidsI had to make sure the pink was sitting just a bit over my crease, onto my orbital bone, creating the dmc3 how to unlock vergil of a crease but still visible when my eye was open, so you could see it blend into other colors when that time came.
Next, I took a lighter pink shade and buffed out the top edge of the pink for a softer blend. Because of the wet primer, it definitely took a little more than a soft "buff" to get the hot pink to diffuse. In fact, when I started, I thought I was shit-outta-luck because getting anything to appear like it blends out on a wet what does mangle look like takes some serious attention and elbow grease, not to mention a bright hot pink softened by a baby piymented.
But with the Sigma E37, some applied pressure, and some patience, I got it there. Now for the fun part: deepening the inner pigmente of the how to get a silver star. I used a mid-tone purple which worked as a nice complement to the hot pink, while almost not being quite rich enough to give the right amount of depth when laid down on top of the howw.
Using packing motions again, I focused the purple on the inner portion of the crease how to make eyeshadow more pigmented eventually built it up to where it needed to be. Mofe go back to blend that hard edge out in a minute, don't worry. This look is all about blending and we're doing a lot of it. I also wanted to make sure that you could still ho the depth that the purple added when my hooded eye was open.
To deepen that purple up just a bit, I took a tiny bit of a matte black shadow on a pencil brush and placed bow carefully on the inner-most part of the purple, and blended it up to make the purple read as more of a royal, eggplant purple instead of a berry purple. Again: Blend, blend, blend. This is not easy, but it is doable, even with my hooded eyes and low-set brow. It's always a labor of love and for me, it turns out a little different every time.
This time around, I kept the cut crease focused on my actual lid instead of trying to pigmentec the lid appear larger, which you can also do. I could have put any color on top of the wet concealer and gotten really wild with it, but I wanted to keep the look pretty uniform, so I used a shimmery hot pink and a shimmery eggplant to create the look of a pulsing spotlight eye. These colors actually turned out looking very similar to the matte shades I used to build the eye with, but we're not done yet.
To create the brightest part of the spotlight on the center of the lid, I used Ofra's Pillow Talk HighlighteRa silvery pink. On top of thatI used Cloud 9 Highlighterwhich adds a heavy flex of bright pink. To finish the eye, I took the purple I used earlier and softened the edges of the highlight so it flowed back into the deeper shades without any hard edges.
Can you believe? After all that, it really came together. Is it as good as Mitchell's? Lol no, but it's a start. So what did we learn? Well, first of all, this is not a technique you want to try out if you're in a hurry. Blending shadows on a wet base takes time, so be ready and don't rush.
Second, any good eye what does ffl mean in texting takes a bit of blending, and this one is certainly no different. Every time I added another shade, I had to go back and blend the other shades again, but in the end, I got the brightness and depth I was aiming for, even with my minimal lid space.
Truthfully, I did not think this would turn out as well as it did, or that I would like it as much as I do, but I do! Am I a total convert? Will I always do my eyes with a wet base going forward? I mean, no. There are only so many hours in the day and I already sleep until 3 pm as it is. But like I said, I do love a big, bright eye, and this is definitely a great way to achieve one, so I'll definitely be revisiting this method. Just imagine mire looks I could pull off using all of the shadows I already use and love?
Pack on pigment, don't swipe Okay so, I started with what we can consider the hero color of this look, the color that every other shade will blend into. Blend, blend, and blend some more Next, I took a lighter pink maoe and buffed out the top edge of the pink for a softer blend. Keywords eye primer eye shadow primer eyeshadow primer makeup tutorial eye shadow eye makeup tips eye makeup.
Rimmel Magnif’eyes Spice Edition Palette Review
Nov 04, · You can easily make your eyeshadow look more prominent and pigmented. So here are 4 ways on how to make your eyeshadow more pigmented. Wanna know how to make your eyeshadow more pigmented? Keep on reading 1. Apply eye primer. Applying eyeshadow primer before you apply other makeup is the best way to make your shadow look more pigmented. Why? Feb 13, · HEYYYY!Im so excited to be putting this video out where I showcase this pigmented sunset look which I created using matte liquid lipsticks. YES, LIPSTICKS.
For the longest time, I stayed away from wearing eye shadow. I have hooded eyes and a low brow bone, giving me basically no room to play. The minute I get any color on my lid and then look straight ahead into the mirror, my eyelid disappears into my face along with all of the eye shadow I just applied. Why even bother? I got tired of being left out of the eye shadow party and found some shadows that I loved and really wanted to use, so I went back to the drawing board to figure out how to make them work for me.
I'm so glad I did because now I'm pulling off looks that I love all the damn time. Not all eye shadows are going to give you full color payoff or mirror-like shimmer in one swipe. Like anything in beauty, getting an eye shadow to really show up takes a little finesse. A while back, I stumbled across a little trick that I've been going back to over and over again, to make colors richer, shimmers more reflective, and to take duochromes to a completely new level.
I've been using a base of cream pigment or cream shadow on the lid before laying the down whatever powder eye shadow I'm using, and the result is for lack of a better term eye-catching. But instead of telling you, why don't I just show you? This one is a great example of just how game-changing a little cream pigment under your shadow can be for two reasons: We're doing a purple eye, and bright, rich, matte purple shadows are notoriously hard to find. This trick intensifies the purple. And secondly, we're going to be topping it off with a beautiful duochrome shade, and the cream pigment layer takes an already great duochrome shadow and throws it into overdrive.
For starters, grab your shadow and create the shape of your eye. You don't need to worry about the eyelid itself for now, but work on the transition, the crease, lower lash line, basically everything around the lid. Something like that. That particular eye took three shades from three different palettes, but like I said, good purples are hard to find.
I really love these pigments, and have them in every shade. You can do anything with them. You can use them as shadow bases, cream shadows, liners — hell, use them as blush. They're vibrant, affordable, and cruelty-free. For the shadow on top of it, I'm using Omen by Urban Decay , the best duochrome shadow there is.
It's my absolute favorite. It was here long before all of this unicorn nonsense that I also love started popping up. Fill in your lid with the cream color. Just tap it on, covering the whole lid — or if you'd prefer, just the middle — but I do the entire thing.
Aim for an even base, but the color doesn't need to be completely opaque since we're simply using it as a base. Make sure there's enough product laid down to cling to what we'll be layering on top of it. Think of it as a glue a pretty glue.
It should look something like this:. You could wear it out just like that. Sometimes I just smear some color over my lid and go about my day. But not today. Finally, using a brush or your finger your finger gives you the best payoff so just use your damn finger grab some shadow and tap it onto the cream base and prepare to be blown away. And, you're done. You can go back in with a brush and buff out any hard lines, or bring a bit of your transition shade over the shadow for a really blended effect, but the rest is up to you.
On the left, we have Omen on its own. Beautiful, yes. On the right, the shadow layered over the pigment. You can see how layering them intensifies both the base shade of the shadow and the blue reflex. If you don't have a cream pigment lying around any cream shadow will do anything in cream form that stays tacky for just a few seconds after you apply. If you're able to apply and then blend it out and soften it with a brush, you can probably layer another shadow on top of it.
It's a cream shadow pen that glides on beautifully and gives you a nice, fluid sheen that's awesome on its own and my secret weapon to making shimmer shadows really stand out.
For shadow on top, I'm using ColourPop's eye shadow shade Vivacious , an ultra-foiled, pink-toned champagne for an almost mirror-like reflectivity. Again, I left the lid of this blown out eye blank. I filled in the blank spot on my lid with the shadow pen, tapped it around with a dry finger, and then patted some shadow right on top.
This not only sets the cream below it to make sure it doesn't crease or fade throughout the day, but it also doubles the intensity of the shadow on top. I like to go back in and place just a bit of shadow on either side of the shimmer, to make it look like the shine is coming through the shadow, rather than just sitting on top of. It's super easy and adds nice dimension.
Are we getting the point? I love this little trick because this opens up so many new possibilities for all the products you already have lying around. Take this last duo for example. These, to me, are both crucial products. Glass Bull is touted as a duochrome, icy-blue lavender, but it's so much more than that. The base is a soft rosy-plum, while the flip is an icy turquoise — almost green.
It's very versatile depending on what you pair it with. I started with a soft brownish eye. Then, layer on the cream. Glam Rock is a metallic, which is even creamier than the mattes.
This is gorgeous on its own but just wait. Glass Bull is gorgeous on its own, but when layered over the rose gold cream pigment, it completely morphs into a rosy-bronze shade with a green flip.
It's one of my favorite combinations, and it's so easy. It's little things like this that take your makeup to an entirely different level with barely any effort on your part, which is my favorite type of trick. What's your favorite shortcut to boost your beauty look? Keywords eye shadow makeup technique cream eye shadow pigmented eye shadow makeup tutorials.